Vivir para contarla

See Larger Image	Manufacturer: Norma Written By: Gabriel Garcia Marquez Average Customer Rating:


Binding: Hardcover Format: Bargain Price ISBN: 9580470162 Label: Norma Manufacturer: Norma Number Of Pages: 592 Publication Date: 2002-11-29 Publisher: Norma Studio: Norma
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Editorial Reviews: Pocos libros han despertado tanta expectación en todo el mundo como la autobiografía de Gabriel García Márquez, autor de Cien años de soledad y ganador del Premio Nobel de Literatura. En sus memorias, García Márquez nos habla de su infancia y primera juventud en Colombia, ofreciéndonos una crónica de los años que modelaron su imaginación y que, andando el tiempo, cristalizarían en algunos de los relatos y novelas más importantes del siglo XX. En sus páginas el lector se encontrará con episodios como el conmovedor retrato de sus abuelos, con quienes se crió en su aldea natal de Aracataca, o la descripción del asesinato de un candidato presidencial en Bogotá, del que fue testigo ocular. García Márquez da cuenta de las gentes, los lugares y los sucesos que le sirvieron de acicate como periodista y como narrador. Desbordante de humor y sabiduría, el autor se adentra por igual en los misterios de la escritura y de la vida, brindándonos un relato apasionante de la búsqueda de sus orígenes que despierta ecos de los mejores momentos de la prosa de su ficción. Además de un escrito de extraordinario mérito literario, Vivir para contarla constituye una guía indispensable para entender el resto de su obra.
Spotlight customer reviews: Customer Rating: Summary: It Stands Unique by Itself!!! Comment: Although I can consider myself a GGM fiction fan, I encountered "Vivir Para Contarla" utterly more attention-grabbing than any of his other works. Perhaps It was just the fact that he related his real life, from the time before his birth until he was something like twenty eight years old, in such a magical way that I could just not put the book down for more than a few moments. I could come across in this volume with so much of the background that made the genius in Gabo, that I could not accept it as factual. Actually I was so beguiled by the story, by the idiosyncrasy of his large and astonishing family, by the actual brilliance and intelligence of the child, the adolescent and the young man in Gabo, that I unreservedly supposed I was immersed in one more of this author's accomplishments. He relates his non precedent childhood and early adolescent years as a conspicuous reader and writer of poems and stories- which he memorized and recited by hearth-, as a distinguished picture drawer, as a notable singer, as an extremely timid person, in sum: as another character out of its novellas and short stories. He, at the same time, enriches our reading with his detailed and exhaustive career as an anonymous young journalist in Colombia, who spends an awesome amount of his free time discussing literature with his fellow workers and friends, at a time period when literature was the coolest matter to be involved in. However, the social and political backgrounds of his whereabouts are so precise and stuck to Colombian and the World's historic and social events, that henceforth what he conveys us in this first volume of his autobiography must have a great deal of reality in it. In spite of the fact that a myriad of the characters, locations and events that we find as basis for his novellas and short stories come out of his real life, I do not believe it imperative to be acquainted to any of his other masterpieces in order to devour and absolutely enjoy this volume. It stands unique by itself! I am anxiously waiting for the subsequent volumes of this trilogy, however due to the actual author's sickness; I don't believe we will be receiving the complete trilogy at all. Customer Rating: Summary: Muy mala encuadernación por Knopf Comment: El libro es buenísimo, particularmente el estilo de Gabo es genial y lo que lo hace aun mas meritorio es que se trata de un relato autobiográfico. Lamentablemente tengo que advertirles de un error de encuadernación en la edición de pasta dura (hardcover) las hojas vienen mal cortadas, he ya ordenado dos libros y los dos vienen con el mismo defecto. La editorial KNOPF ha hecho un muy mal trabajo. Mi recomendación... busquen otras editoriales. Customer Rating: Summary: Vivir para Contarla Comment: El autor es un relator latinoamericano costumbrista. El realismo magico es lo comun y corriente en esos pagos. De ilusion tambien se vive. Quiza algun dia se inspire en escribir una novela sobre el realismo magico de la tragedia cubana, dada su intima afinidad con el Doctor Fidel Castro Ruz. Customer Rating: Summary: Una magnífica crónica de los años que modelaron la imaginación de Garcia Marquez Comment: "Living to Tell the Tale," ("Vivir Para Contarla"), is the first book in a planned trilogy that will make up the memoirs of Gabriel Garcia Marquez, the renown Colombian writer who initially won public acclaim in the mid-1960s for his novel "One Hundred Years of Solitude." At that time, Garcia Marquez, a journalist and writer, had never sold more than 700 copies of a book. While driving his family through Mexico, he had a veritable brainstorm. He remembered his grandmother's storytelling technique - to recall fantastic, improbable events as if they had actually happened - literally. That was the key to recounting the life of the imaginary village of Macondo and her inhabitants. He turned the car around and drove back home to begin "One Hundred Years of Solitude" anew. To my mind it is one of the 20th century's best works of fiction, and was highlighted in the citation awarding Garcia Marquez the 1982 Nobel Prize in Literature. "Living to Tell The Tale" relates the early years of the author's life, although some of the book's most important incidents predate Garcia Marquez's birth. The impact of these experiences, the people and their stories, were to have a powerful effect on him, as a man and as a writer. This is the tale of his parents' courtship, marriage and the birth of their children, Garcia Marquez, (Gabito), the oldest, and his ten siblings. It tells of his early years which were spent in Aracataca, in the home of his maternal grandparents. His grandfather, Colonel Nicolás Ricardo Márquez Mejía, was a Liberal veteran of the War of a Thousand Days. He was supposedly a storyteller of great repute. The Colonel told his young grandson that there was no greater burden than to have killed a man. Later García Márquez would put these words into the mouths of his characters. His grandmother, Tranquilina Iguarán Cotes, had a major influence on Gabriel's life also. Another great source of stories, her mind was filled with superstitions and folklore, and she gossiped away with her numerous sisters within hearing range of young "Gabito." No matter how fantastic her statements, she always delivered them as if they were the absolute, verifiable truth. This was the style which was to effect Garcia Marquez's fiction, sometimes called "magical realism." These women filled the house with stories of ghosts, premonitions and omens - all of which were studiously ignored by her husband. He had little interest in "women's beliefs." Aracataca was a small village, a banana town on the Caribbean coast, where poverty was the norm and violence was an everyday occurrence. On December 6, 1928, in the Cienaga train station, near Aracataca, 3,000 striking banana workers were shot and killed by troops from Antioquia. Although still a baby, this event, recounted to him, was to have a profound effect on the author. The incident was officially forgotten and omitted from Colombian history textbooks. In 1940, when he was twelve, Gabo was awarded a scholarship to a secondary school for gifted students, run by Jesuits. The school, the Liceo Nacional, was in Zipaquirá, a city 30 miles to the north of Bogotá. It was during his school years, 1940s and 50s, that he was first drawn to poetry - a national obsession in Colombia. Verse was revered as an art form, and also as an effective means of social and political commentary. He and his friends, fellow students, would read aloud and discuss poetry late into the night. The youths admired a group of poets called the piedra y cielo ("stone and sky") and they were strongly influenced by Juan Ramon Jimenez and Pablo Neruda. Too poor to buy his own books, Gabo would devour novels borrowed from friends. While still a boy, he decided he wanted to be a writer. The people who surrounded him in his childhood later became instrumental when developing the characters and the storylines for his novels. "Love In The Time of Cholera" was inspired by the romance between his mother and father. And his grandfather, who had twelve children, (some say 16), by two different women, became Colonel Aureliano Buendia in "One Hundred Years of Solitude." One of the most powerful episodes of the book tells of the period called "La Violencia." In 1948 the Liberal presidential candidate, Jorge Eliecer Gaitan, was assassinated. The murder led to rioting, and left approximately 2500 dead on the streets of Bogota, during "el Bogotázo." Political violence and repression followed. One of the buildings that burned was the pension where Garcia Marquez lived, and his manuscripts were destroyed along with his living quarters. The National University was closed and he was forced to go to the university in Cartagena. Garcia Marquez began his career as a journalist, writing stories and commentary for a Liberal newspaper in Cartegana. Later he moved to the coastal city of Barranquilla where he began to associate with a group of young writers who admired modernists like Joyce, Woolf and Hemingway, and introduced Marquez to Faulkner. In 1954 he returned to Bogota, as a reporter for El Espectador. Garcia Marquez begins his book, however, not with his real birth in 1928, but with his "birth as a writer," at age 22. He and his mother took a trip from Baranquilla, where he was working as a reporter, to his childhood home in Aracataca, now virtually a ghost town. They were going to sell the ancestral house. Vivid memories were stirred up here, memories which electrified his imagination. This trip was to change the course of his writing life. "With the first step I took onto the burning sands of the town, Aracataca instantly became Macondo, an earthly paradise of desolation and nostalgia." His one great subject became his family, "which was never the protagonist of anything, but only a witness to and victim of everything." His is not a chronological autobiography. Garcia Marquez cuts back and forth through time to show how memory colors experience. As he says in the book's epigraph, "Life is not what one lived, but what one remembers and how one remembers it in order to recount it." Humor, dry wit, a sense of the absurd, is a trademark throughout the novels of Gabriel Garcia Marquez, and this autobiography is full of his deadpan humor. His anecdotes of his many mistresses and cafe society are wonderful. "Living To Tell The Tale" is not a conventional literary memoir. It is a magical combination of memoir and national history written in the author's remarkable voice. It is his personal mythology, from the repertoire which birthed Macondo. The narrative is intimate and sincere, filled with bewitching details and descriptions. In spite of poverty, and the political turmoil so prevalent in Colombia during his lifetime, Gabo acknowledges his early years were filled with joy, a sense of well-being and encouragement from many people. Garcia Marquez leaves us, at the end of this volume, with a glimpse of his future love, his wife, ""wearing a green dress with golden lace in that year's style, her hair cut like swallows' wings, and with the intense stillness of someone waiting for a person who will not arrive." Bravo Gabriel Garcia Marquez!! JANA Customer Rating: Summary: I prefer his fiction Comment: This book is the first in a series. Frankly, I hope that in his next memoir there iwll be more about his literary writing b/c this doesn't cover his marvelous literary career at all. The first sections of the book which deal with his childhood and schooling are comic and moving, with great turns of phrase and details about his grandfather and large family. What I found less interesting were the accounts of his journalism career. Apart from a very compelling section about a political asassination and its aftermath, I was a little bored. Even worse, I did not feel that some of his bohemian friends were distinguished from each other. I am going to go back and reread The General in His Labyrinth and the novels that I so adore. I just prefer them. More Reviews