Writing Creative Nonfiction

• The Art of Creative Nonfiction: Writing and Selling the Literature of Reality (Wiley Books for Writers Series)
• In Fact: The Best of Creative Nonfiction
• Telling True Stories: A Nonfiction Writers' Guide from the Nieman Foundation at Harvard University
• The Situation and the Story: The Art of Personal Narrative
• The Art of the Personal Essay: An Anthology from the Classical Era to the Present

* An impressive line up of the best teachers from the finest writing programs throughout the country
* Creative nonfiction titles are hot--with new books hitting the bestseller lists everyday!
* The AWP's role guarantees strong consumer and academic interest

Carolyn Fauché and Philip Gerard, editors of Writing Creative Nonficton, perhaps best sum up what it is all about when they state: "creative nonfiction has emerged in the last few years as the province of factual prose that is also literary-infused with the stylistic devices, tropes, and rhetorical flourishes of the best fiction and the most lyrical narrative poetry. It is fact based writing that remains compelling, undiminished by the passage of time, that has at heart an interest in enduring human values: foremost a fidelity to accuracy, to truthfulness."

In order to support their belief in creative nonfiction, Fauché and Gerard have presented more than thirty essays that examine all of above key ingredients inherent in writing creative nonfiction.
Divided into three sections, the reader will receive tips pertaining to such topics as researching ideas and structuring the story, reportage, personal reflection, developing powerful observation techniques, awareness of the filters that put you between yourself and the world, shaping the lyric essay, creating biography, war writing, using humor, and taking yourself out of the story.

What is quite noteworthy about the book is that the reader receives valuable advice from over thirty well- known writers such as: Terry Tempest Williams, Allan Cheuse, Phillip Lopate, Carolyn Forché, and Philip Gerard, all of whom contribute immensely in convincing us that, yes, creative nonfiction does exist.
It may be true that it has undergone many name changes over the years- nonfiction novel, narrative non-fiction, literary journalism, literary non-fiction, and new journalism, however, they all lead us to the conclusion that no matter how confusing it sounds, creative nonfiction is still distinguishable from daily journalism, academic criticism, and critical biography.

The book also offers a primer on the practical business of drafting a business proposal as presented by Stanley Colbert, and a section about what happens after publication.
Finally, as the editors most aptly state: "as a final gift to the reader, we've included the `Creative Non-Fiction' reader offering the companion pieces and other exemplary essays to inspire, delight, reach, and simply to enjoy."

This review first appeared on the reviewer's own site: Bookpleasures.com