1066: The Hidden History in the Bayeux Tapestry

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Binding: Paperback Dewey Decimal Number: 942.021 EAN: 9780802777423 ISBN: 0802777422 Label: Walker & Company Manufacturer: Walker & Company Number Of Items: 1 Number Of Pages: 354 Publication Date: 2006-04-04 Publisher: Walker & Company Release Date: 2006-04-04 Studio: Walker & Company
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Editorial Reviews: For more than 900 years the Bayeux Tapestry has preserved one of history's greatest dramas: the Norman Conquest of England, culminating in the death of King Harold at the Battle of Hastings in 1066. Historians have held for centuries that the majestic tapestry trumpets the glory of William the Conqueror and the victorious Normans. But is this true? In 1066, a brilliant piece of historical detective work, Andrew Bridgeford reveals a very different story that reinterprets and recasts the most decisive year in English history. Reading the tapestry as if it were a written text, Bridgeford discovers a wealth of new information subversively and ingeniously encoded in the threads, which appears to undermine the Norman point of view while presenting a secret tale undetected for centuries-an account of the final years of Anglo-Saxon England quite different from the Norman version. Bridgeford brings alive the turbulent 11th century in western Europe, a world of ambitious warrior bishops, court dwarfs, ruthless knights, and powerful women. 1066 offers readers a rare surprise-a book that reconsiders a long-accepted masterpiece, and sheds new light on a pivotal chapter of English history.
Spotlight customer reviews: Customer Rating: Summary: History and Detective Novel Rolled into One Comment: A true delight in print, Andrew Bridgeford's "1066: The Hidden History in the Bayeux Tapestry" reads more like a well-written mystery book than a history text. Many a past author has tried to make history "interesting" with unusual and sometimes ludicrous literary devices, but this book doesn't stoop to such silliness. Instead, the history we read here is indeed real history, but woven with a most intriguing claim, turning the book into a page-turner of scholarship from start to finish. The main contention of the work, which I will present here without spoiling the details and supporting evidence for the reader, is that the common view that the Tapestry is a work of Norman propaganda to support William the Conqueror's claim to the English throne is incorrect. Rather, Bridgeford argues, the Tapestry is instead a truly English work which gives more credit to a Frenchman (not a Norman) for the 1066 battle victory, and was meant to serve as continual reminder that William's taking of the English throne, though successful, was not morally just. In this sense, the work can be somewhat considered "subversive," because its message of the invalidity of William's ascent was played out in full view under the noses of all the Norman entourage, and indeed, full public scrutiny. The makers of the Tapestry could only do this by creating a work that passes the "scratch and sniff" test for supporting the Norman cause, but only for those wishing to read that preconceived notion into what they see, and for creating a work that, on its superficial elements, appears to do just that. But woven into the threads of this work is a contrary view that becomes apparent if one rejects the temptation to skim over and "read into" each of the Tapestry's scenes, and it is a message quite different that it might at first appear to be. Bridgeford's prose is consistently up to this challenging task. Each page of the text further illuminates our understanding, not only of what we already know about 1066, but of those things we "know" that really do not "fit," if we took the time to further reflect on it. After carefully considering each of the pieces of evidence presented, we come to feel there is good reason to support the author's claims. In fact, the book at times lays out its evidence and persuasion much like a lawyer might do in court, and if we find ourselves on this jury of opinion, we tend to find ourselves convinced. And although the reader here might think the author will have to resort to fantastic claims and that we'll have to check credulity at the front cover, we quickly find we can rest easy. The author's case is logical, cogent, and reasonable; the work never veers outside of accepted scholarship for evidence, and rejects many surrounding claims even if some of those might further buttress the argument. This is a solid book that is a fascinating addition to the library of works surrounding the Tapestry. Bridgeford's text begins by laying out what must be considered an epic drama of the history of the Tapestry itself, a history which begins in the 11th century but, much like an Indiana Jones movie, finds itself the target of Nazi's, governments, and various nefarious forces throughout the centuries. Once we have followed the Tapestry's journey throughout the years, we settle into an examination of the tapestry itself, a scene by scene look at each element with the work. Thankfully, the entire Tapestry is photographically reproduced in full color with additional scene numbers and annotated text to translate the Latin so that we can refer to the Tapestry itself while the author makes his points and explanations. Historical background is provided within the narrative whenever necessary, helping us understand the possible motivations for the prime characters and serving as a historical backdrop to the story. Bridgeford makes his case scene by scene, and is not unconvincing. It is a true adventure to pry open the explanations of each of the scenes, and regardless of how convinced the reader may be of the ultimate assertions of the book, the result is likely to be a newfound interest in the Tapestry itself, and perhaps even a desire to make a trip to see the Tapestry in person. But much of the charm of this book remains in the prose which relates Harold's and William's story, with characters whose motives and intentions come alive, settings that jump out of the past, and the ebb and flow of history once again surging past us when we thought it was already finished. And that is indeed, according to the author, the whole purpose of those enigmatic creators of the Bayeux Tapestry: to serve as a constant witness of historical fact that would hopefully guide those of future generations who were willing to listen to its message. They may well have succeeded. It's now approaching 1,000 years since the Tapestry was woven, and we are still here examining, debating, and enjoying it. Customer Rating: Summary: A Worthy Read Comment: I found this to be a very interesting book. I did not think all the conclusions he arrived at where justified by the data provided, there was a touch of making mountains out of mole hills (IMHO). However, most of the discussion was well thought out, well presented, and very thought provoking. It was also well written. I would recommend this one for anyone interested in the period. Customer Rating: Summary: Author sheds light on an ancient mystery Comment: Andrew Bridgeford's "1066, the Hidden History of the Bayeux Tapestry," brings a fresh interpretation to an amazing, mysterious piece of cloth. This strip of linen seventy meters (230 feet) long presents an account of events leading up to William the Conqueror's successful invasion of England. The traditional interpretation is that the Tapestry was a costly trophy commissioned by a Norman baron or bishop celebrating the Norman victory. Bridgeford disputes that view. He finds conflicting messages stitched onto the fabric, messages that tend to support the French, rather than the Norman, point of view. He even finds support for the English, and perhaps a challenge to Duke William's right to the English throne. Such messages would have been punished by death, and whoever commissioned and stitched the Tapestry would have taken great risks. Nevertheless, the ambiguous message was embroidered less than a decade after William's invasion. What were the real intentions of the sponsor who dictated the images and message stitched into the Bayeux Tapestry? The whole tale is here: ambiguous negotiations, fatal misunderstandings, Duke William's landing, the battle of Hastings, the death of King Harold in battle and the aftermath of war in a ravaged land. The Tapestry (an embroidery, really) was originally longer, but the final scenes are missing. Did fire, damp or rats carry the ending away? Or did fear suborn courage, causing an unknown hand to cut off a dangerous truth in a deadly world? That is one of a thousand mysteries inhering to the Bayeux Tapestry. Nor is that all. The Tapestry brings us a dwarf who may have been a founding father of French literature; and reminds its contemporary viewers of an unlovely tale, of two queen-mothers thrusting their several sons forward, sometimes fatally, in their own lust for royal power. Why? How do these apparent sub-plots relate? It has been an abiding mystery, one for which Andrew Bridgeford may have supplied - if not the missing end of the cloth - then at least several answers. By Robert Fripp, author, Power of a Woman. Memoirs of a turbulent life: Eleanor of Aquitaine Customer Rating: Summary: A thousand year old mystery in one of the worlds great works of art. Comment: Many years ago I saw the Bayeux Tapestry while on holidays in Europe. My lasting impression of the work is the sheer size of it. It was much larger than I would have believed based on the odd picture seen in a book I'd come across before leaving home. I now wish I'd been able to read a book like this one before I'd viewed the Tapestry (or embroidery actually). This book takes you scene by scene through this massive work of art - and a different picture slowly emerges than the one you might have read about in other books on the subject. This embroidery is the work of a conquered people - and to please their new masters it superficially shows their success in the conquest. However, the events, and how the artist chooses to highlight them brings out another story, and its not the same one that the Normans told of their "right" to conquer England. The Tapestry also brings into focus formerly obscure people that never feature in any other period work on the conquest - and the author of this book has done some research into these named individuals and dug up some very interesting information indeed. If you have any interest in the Bayeux Tapestry or the Norman conquest of England in 1066 this is a book you should read. The author is a Lawyer by trade and not a historian but he has done dome very impressive and detailed research with this book. I didn't know much about either the Tapestry or the Norman conquest before reading this book, so even if you don't know much about this period this is still a good read as the author tracks down the mysteries in the Tapestry that many other writers gloss over. Customer Rating: Summary: Hidden History in the Bayeux Tapestry Comment: Excellent transaction. Very informative book and exactly what I was looking for. More Reviews