The girls (author Nancy, socialite/fascist Diana,farmer Pamela, nazi Unity, communist Decca, and Duchess Debo) were heavily political and remarkablyintelligent. They were media darlings of the 1930's-60's. Given their privileged, (thoughrelatively poor) upbringing, and amazing involvement in the greatest events of the mid-20th century,you have to wonder what they thought, what made them tick, and what eventually happened to them. All these factors make The Sisters a compelling read with semi-gossipy, semi-historicalmotivations.
All in all, Lovell is an easy author to follow - she's an unabashed Mitford fan anddid her homework for this book - but you also get the impression that she idolizes the clan a bittoo much for this to be entirely factual or objective. But perhaps as readers, we wouldn't want itthat way. The women were sensational and eccentric if you admired them, selfish andself-destructive if you didn't. The truth probably lies somewhere in the middle, which is mostlywhere this book is.
As much as I enjoyed reading the book and looking into the Mitford world, itwas just that - looking in. You never get the feeling that these are normal people you can relateto or would want to be, glamorous and fascinating as their lives were. Historical significanceaside, they didn't seem to be very likeable people - while sympathizing with tragedies and problems,you also feel they brought it upon themselves and acted stupidly in many regards. As minor playerson the large stage with Churchill, Hitler, and various political upheavals across Europe, and majorplayers in the social and literary worlds, the Mitfords had interesting, almost surreal lives - butwhether you like them or not isn't easily established. Lovell's book takes in a lot of time andevents, so you get to see this famous family in a long-range perspective, which gets you past themore bizarre episodes that would otherwise color your view of a sister.
I recommend this as a goodread, but it will help enormously if you are a fan of the Mitfords.